“Hyères,” France, 1932. Henri Cartier-Bresson.

Interweaving awkward lines in the stairwell against the overlapping curve of the street leads me to think that this would look like a Picasso if it were painted and skewed around a bit. So much chaos in the stairwell, and the dark cyclist just wisps by…

I guess if you thought about this photo for too long it could become very ominous. Alas, it’s sunny outside today so I’ll leave it without a deeper analysis.